Untitled intimacy

In many of my practices I have a habit of deconstructing different images, and exposing Polaroids in the air was my deconstruction technique in this project, resulting in exposed blank sheets of paper that look the same but have different content, images that I reconstructed to have essential meaning. 

These blank images link the most important places in my intimate relationship with my grandmother, when photographed, both connect to the past and extend into the future.

These blank Polariods，which is act the witness to what I once had, and what I will lose in the future.

When I feel fear, I use fluid paint to paint on the exposed blank paper, trying to transfer all these fear feelings into my painting. 

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Project Five