The rugged mountain roads and grazing cows and goats are gone, only the cold and callous modern concrete are left.

The work consists of a small acoustic field consisting of a chain of freely unfolded chains with bells evenly distributed on top. When it is windy or rainy, the bell makes a random sound. Bells are made of different metals and thus produce different sounds. The work wants Moreto combine sound with natural force to remind people’s memory to villages by bell sound and reflect damage brought by city change.

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The work records the journey of an acrobat trying to find balance in the city. He constantly looks for his footholds that he likes in the city and tries to reach balance by body modification, but all failed. And this is used to reflect the current status of individual survival in China.

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I would like to exploring the realities of marriage, survival, and self-worth of women, especially the Chinese intellectual women.

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The name of the project is Moment and Eternity. I was inspired by a near-death experience in which I lost my sense of touch.

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When I reviewed and analysed all the artwork I made over the years, I found that I always explore the key word ‘relationship’ through my art practice out of my unconscious. Therefore, This prompted me to come up with a further detailed question: Why do I interested in the subject of relationship?

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The key word 'relationship' recurs in my various artistic practices, from inward research into the relationship between self and personal identity, to outward research into my relationship with the world. Looking back at my past works, the construction of 'intimacy' is something that I have always sought through my art practice, and so in this project I have positioned my research as an exploration of 'intimacy'.